John Gissing (2001)
| Cast:
|
Alan Rickman,
Mike Binder, Janeane Garofalo, Juliet Stevenson |
| Director:
|
Mike Binder |
| Producers:
|
Jack Binder, Marc
Frydman, David Walker Johnson, Rod Lurie, Peter Savarino |
| Screenplay:
|
Mike Binder |
| Music: |
Larry Groupé
|
| Approximate Running
Time: |
|
| Website: |
www.searchforjohngissing.com |
| Warnings: |
Some semi-nudity,
swearing, sexual suggestion |
| Rating: |
 |
Category: Contemporary comedy
The Plot: Matthew Barnes (Mike Binder) and his wife, Linda
have just arrived in London, tired but relieved to be starting
a new opportunity in Europe. However, their problems begin almost
immediately with noone at the airport to meet them. A few phone
calls later to their contact, John Gissing, and they are off to
the office ... which is closed. Another call to Gissing leads
them to a restaurant which is... begetting the question, where
EXACTLY is John Gissing - because something is going wrong!
Comment: I think my IMDB
comment sums it all up - Blake Edwards meets Woody Allen. Before
we go any further, it should be noted that I am not a big fan
of Blake Edwards and have absolutely no patience for Woody Allen
films, so that gives you an idea of the direction I may pursue
here...
The Search for John Gissing is a fast paced film which would
probably have been more suited to an audience in the 1970s than
the modern day. The first 20 minutes or so were for this watcher,
quite mortifying with Mike Binder doing what to all intent purposes
seemed to be a representation of a distressed and whiny Woody
Allen. Couple that with some odd editing which saw the film go
for an 'arty' splicing affect at random moments (i.e. not when
the story most justified the jumpy effect) and I was fairly gritting
my teeth wondering what disaster Alan Rickman was involved in
this time...
However, after the opening sequence, the film picked up considerably.
The film took on a slightly more of a Blake Edwards approach (which
was at least watchable) and the actors had a more of a chance
to develop their characters and thus win over the audience. I'm
afraid, I never warmed to Mike Binder as barreled through the
film, one minute as whining Woody Allen caricature, and the next
as a smooth talking stereotypical monied American (please direct
me to the London cabbie who will go to every single High Street
for £35.00!).
I was a bit disappointed with Janeane Garofalo - I felt she was
deeply restrained in this film as if there was a real fear that
to let her launch into her usual deeply cynical persona would
undermine Mike Binder. So, she was under-utilised and seemed to
be tied to playing an exasperated straigtman to Mike Binder's
characters angst attacks. However, she managed to squeeze out
a few of the best one liners in the film and could have done a
lot to enhance the film if she hadn't been so 'restrained.'
Alan Rickman was magnificent as the scheming company man on his
way out... Alan Rickman seems to be enjoying the migration from
much-loved villain and period actor to contemporary comedian and
he successfully adds a lot of warmth and humour to this film.
Building upon his comedic success in Dogma and Galaxy Quest, he
hammed it beautifully in this role - although there was one scene
where I would have liked to think it was beneath him, but alas...
(it involves a favoured french chair...). He also got the only
other decent lines in the film. 'Tis but a shame there were not
more scenes between Janeane Garofalo and Alan Rickman - one suspects
the film would have been much darker but oh so much more fun!
However, despite the criticism, this is funny movie which will
probably not get the recognition it deserves. And, it is a must
see for Alan Rickman fans as he really is very good in this comedic
role!